Bernhard Heinrich Romberg (November 13, – August 13, ), was a German cellist 1 in B-flat Major, for cello and orchestra; Opus 3, Grand Concerto No. Opus 14, Airs Russes for cello and orchestra; Opus 17, Flute concerto in B minor (Also published as opus 30); Opus 18, Variations et Rondo in E-flat Major for. Buy Concerto for Flute Op. Score () by ROMBERG, B at Orchestra Sheet Music. Romberg, Bernhard Heinrich. Ed. John WionPublished by. Get this from a library! Concerto for flute and orchestra, opus [Bernhard Romberg; John Wion; Elaine Baker, (Pianist)].

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The B and C sections are successively more technically challenging. Your list berhhard reached the maximum number of items. If you continue to use this site we will assume that you are happy with it. This is not surprising as the concerto was written as the improvised cadenza was being phased out in favor of composer-conceived cadenzas or none at all.

The third movement, a Rondo Allegrettois a delight and a dazzling display of technical prowess for the solo flute.

Bernhard Romberg – Wikipedia

Romberg makes reference to its opening motive but soon after offers new virtuosic passages. Romberg concertized in Europe and demonstrated prodigious talent at an early age.

The return of the A theme is not exact at all. There is no marking for a cadenza at the end of the movement. This is reminiscent of the bravura style repertoire of Friedrich Kuhlau and Jean-Louis Tulou that was beginning to populate the flute music canon at that time. cpncerto


This was the same number assigned to one of his cello concertos, and it appears that Opus 17 was the composer’s designation for the flute concerto”–Page 2 of cover. Reviews User-contributed reviews Add a vlute and share your thoughts with other readers. Shansky, For performance material contact Peters, Leipzig.

This page was last edited on 4 Decemberat We use cookies to ensure that we give you the best experience on our website. It seems too early for a cadenza and it is most likely a dramatic effect that Romberg wanted bernharv impose.

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Flute Concerto, Op.17 (Romberg, Bernhard)

Cancel Forgot your password? Concerto for Flute and Orchestra in B minor, Op. Retrieved 18 March Find a copy in the library Finding libraries that hold this item The Development comes as something of a surprise as, while containing numerous technical passages, Romberg uses this area to demonstrate the lyrical capability of the flute. Please select Ok if you would like to proceed with this request anyway. Romberg made several innovations in cello design and performance.

Flute Quintet in G Major 1. Views Read Edit View history. Retrieved February 1, Romberg was born in Dinklage. Please re-enter recipient e-mail address es. Add to cart Details. Preface The concerto for flute and orchestra by Romberg is a tour-de-force work that exploits the technical and expressive capabilities of the instrument and foreshadows the later Romantic style.


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Romberg, Bernhard | Concerto for Flute and Orchestra in B minor, Op. 17

The Development concludes with a re-statement of the timpani solo, this time twice as long, followed by the triplet figures on the flute as were laid out in the Exposition. Please enter your name. His father, Anton Romberg, played the bassoon and cello and gave Bernhard his first cello lessons.

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Romberg does not write an exact re-statement of the Exposition but rather with the entrance of the solo flute moves directly to the lyrical melody of the closing theme of the Exposition. Linked Data More info about Linked Data.

Concerto for flute and orchestra, opus 17

For performance material contact Peters, Leipzig. Finding libraries that hold this item A return to duple grouping provides the transition to the return of the A theme.

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